如果同情心的一个极端，是这些八卦小报。另一个极端便是悲剧和悲剧艺术，我想说的是或许我们该从悲剧艺术中学习，你不会说汉姆雷特是个失败者，虽然他失败了，他却不是一个失败者。我想这就是悲剧所要告诉我们的，也是我认为非常重要的一点。
In a way, if you like, at one end of the spectrum of sympathy, you've got the tabloid newspaper. At the other end of the spectrum, you've got tragedy and tragic art. And I suppose I'm arguing that we should learn a little bit about what's happening in tragic art. It would be insane to call Hamlet a loser. He is not a loser, though he has lost. And I think that is the message of tragedy to us, and why it's so very, very important, I think.
The future belongs to those who are willing to adapt and evolve.
事实是，每个人都会伤害你。你只需要找到值得为之受苦的人。
成功是对任何曾经怀疑你的人最好的报复。
The power of cinema lies in its ability to make us see the world differently.
释义：唯有在绝境中，我们才能释放出最深层的自我，与自然合而为一。
过去是一道永不愈合的伤口。