环境不是刺激的马赛克,而是一个力场,其中每个部分都与其他部分动态相关。
The environment is not a mosaic of stimuli, but a field of forces in which every part is dynamically related to every other part.
想象并非作为现实的否定或补偿而形成;它在符号之间生长,从一本书到另一本书,在重复和评论的间隙中;它在书籍之间的间隔中诞生并成形。