The only weapon of power, its only strategy against this defection, is to reinject realness and referentiality everywhere, in order to convince us of the reality of the social, of the gravity of the economy and the finalities of production.

艺术作品是灵魂的镜子。

我是个妓女，而且我因为建造高楼而得到很好的报酬。

《在陆军军官学校开学典礼的演说》（1924年6月16日）

记忆是一面撒谎的镜子。